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With 2,534 performances, Avenue Q ranks 23rd on the list of longest running shows in Broadway history.

Avenue Q's unique presentation requires substantially more suspension of disbelief by audience members than normal.

Am I being unfair with this expectation of not giving my phone number out and preferring to spend weeks on online chatter? If you’ve ever wondered why you struggle with men, it’s quite likely because you’ve never given much value to HIS circle in the Venn Diagram.

I actually do like this gentleman, which is unusual for me. I figure this is as good a time as any to float a pretty non-controversial theory of how to be successful in dating. Okay, so you know what a Venn Diagram looks like, right? I always ask for the man’s phone number, and offer to call him.

IMO, after a few emails exchanged and one phone call, I know if the person is someone I’d like to meet.

Two phone calls is too much unless I’m still uncertain about the man, as the in-person chemistry is so important, and can’t be gauged from phone calls and emails.

The show draws considerable inspiration from Sesame Street and substantially imitates its format.

Marx interned at the program early in his career, and all four of the original cast's principal puppeteers—John Tartaglia, Stephanie D'Abruzzo, Jennifer Barnhart and Rick Lyon—were Sesame Street performers.

The puppets are animated and voiced by actor/puppeteers who are present, unconcealed, onstage, but remain "invisible" relative to the storyline.(D'Abruzzo returned to Sesame Street after leaving Avenue Q).Three of the puppet characters are direct, recognizable parodies of classic Sesame Street puppets: Roommates Rod and Nicky are a riff on Bert and Ernie, while Trekkie Monster bears the distinctive voice and disposition of Cookie Monster, though not his obsession with baked goods.Much of the show's ironic humor arises from its contrasts with Sesame Street, a metaphor of the contrasts between childhood and adulthood, and between the children's TV world and the real world.The story line presupposes the existence of "monsters" and talking animals; and human actors sing, dance, and interact with puppets, both human and non-human, as if they were sentient beings, in a light-hearted, quasi-fantasy environment.

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