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Nixon’s reelection caused a depressive spiral for Lennon that split his marriage temporarily.He lived as a drunken bachelor in Los Angeles and sampled for 18 months the girlfriend Yoko Ono had selected for him, May Fung Yee Pang.Paranoia is justified when enduring shadowing G men and tapped phones.Lennon understood these incidents always within a larger construct.I think Ono said it best with, “Why would anyone want to kill an artist?” Lennon’s life was at peace, and his collaborative album with Ono Double Fantasy had been climbing the charts. Maybe it is the scary notion written to me months ago: “Nobody knows what’s going on. And we [fearful, wicked humans] kill those people.” screenplay).Pang had been their personal assistant, and Ono attested to wanting someone to watch over John, but there is more cunning at work in her assignation of his new plaything. Jackson’s 1944 novel and film adaptation by Billy Wilder that Lennon later termed this break.Noticeably absent in both is commentary from living Beatles Paul Mc Cartney and Ringo Starr.
Her prostitution seems like a funny inconvenience to her seeking a new apartment.
Majority of the interview footage and filmed moments were shot in an expansive, bucolic, English estate living with Japanese performance artist Yoko Ono.
Years in New York were condensed in order to pay heed in balance to his musical development until his untimely demise by disturbed Mark David Chapman.
Film theorists devise methodologies of writing and speaking about films to unify the discourse. This breaks the 5th wall if Godard’s films ever truly possess that separate space ideal. Last scene tracks Paul’s daughter Cecile moving through a tunnel with classical music playing.
The catch is diegetic (music represented as coming from instruments in the story space, characters’ voices, etc.,) and non diegetic (mood music, narrator’s commentary, etc.,) terminology cannot be applied.